Book cover of 'Artificial Intelligence and Music Ecosystem,' edited by Martin Clancy. Features an abstract illustration of a human profile with flowing lines representing neural or musical connections, in shades of orange and black.

Artificial Intelligence and Music Ecosystem

2nd edition (2026). Edited by Dr Martin Clancy.

A professional portrait of an older man with curly grey hair, wearing a black suit and white shirt, standing against a dark green background.

Artificial Intelligence and Music Ecosystem examines the transformative relationship between artificial intelligence (AI) and the global music industry, considering both ethical and practical dimensions. This updated edition offers a comprehensive theoretical framework for understanding AI's role in creativity, production, and music consumption, as contributors revisit and reflect on their previous forecasts, discuss the evolution of the field, and make new predictions. These reflections elucidate advancements, transformations, and unforeseen challenges that have emerged since publication of the first edition.

  • Exploring how AI technologies redefine concepts of authorship, creativity, and intellectual property, this book integrates interdisciplinary perspectives and real-world case studies from philosophy, ethics, computer science, musicology, and intellectual property law, offering nuanced analyses enriched by expert insights from key contributors, including Jacques Attali, Holly Herndon, and Miller Puckette. By outlining actionable strategies and best practices, it supports readers in responsibly integrating AI into their workflows while maintaining ethical standards.

    Artificial Intelligence and Music Ecosystem serves as a vital guide for artists, producers, academics, policymakers, and industry professionals navigating the evolving landscape of music and technology and is a comprehensive resource for anyone interested in the broader implications of AI in the creative arts.

  • Dr Martin Clancy is the Founder of AI:OK. He is the editor and author of Artificial Intelligence and Music Ecosystem (Routledge, 2nd edition, 2026). He is a former Senior AI Research Fellow at Insight/DCU and a former Policy Fellow at Trinity College Dublin (2024 to 2026). He is a member of the CreaTeME International Advisory Board at the University of Agder and the founding Chair of the IEEE Global AI Ethics Arts Committee.

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